- Ndop of King Mishe
- polished wood
- Kuba peoples, Congo basin
- 1760-1780 CE
Kuba Peoples
- located in Congo basin
- formed from loose confederacy of related tribes
- became kingdom under same “nyim” (leader)
- artistry is very important
- apprenticeship system of emulating designs
- royal court was patron to many specific artists
- kings represent the good of society
- illness is a danger to the kingdom
- greatly glorified through history
- councils advise the “nyim”
- King Mishe was a celebrated king in early 18th century
- known for generosity and loyal subjects
- commissioned an ndop portrait statue
- solidified accomplishments
- first collected in 1909 by colonial minister of Belgium
- purchased by Brooklyn Museum
- his specific ndop has the “ibol” of a drum with severed hand
- made from same schematic design
- sitting cross-legged on throne
- with “ibol” (personal symbol) in front of him
- represented most well-known features such as generosity
- forbidden to depict physical flaws
- therefore all look very similar
- known as portrait to the king
- can not be done without the king as reference
Artistic Features
- emphasized heads representing ideal intelligence
- rounded contours of the head, shoulders, and stomach
- idealized form
- showing similar expression, position, and regalia
- regularly polished with palm oil and camwood
- giving a reddish surface over time
- symbolized the magical powers of the “nyim”
- the Bushoong visor crown is the rectangular prism on the head