- The Great Mosque of Djenné
- 1,200 CE
- adobe
- Mali
Context
- region is Western Sudan
- result of mixing cultures during Arab colonization of North Africa
- mud was the traditional building material in Mali
- city of Djenne is cultural center
- center of trade and Arab learning
- established between 800 and 1100 CE
Religious Significance
- built when the ruler of Djenne reverted to Islam
- masjid (mosque, Islamic place of worship)
- contains Eastern quibla wall
- faces in the direction to Mecca
- facing East in Djenne
- created to accomodate large number of people for Friday prayers
- (Friday is the holy day of the week in Islam)
Architectural Features
- adobe material
- mixture of mud and straw
- traditional building local material
- decorated lavishly on exterior
- destroyed by later ruler for nontraditional style
- later constructed more humble structure
- reconstructed in original style between 1906 and 1907
- adobe is temporal building material, reworking is necessary
- French explorer Rene Caillie wrote that the masjid fell into disrepair
- probably encountered the structure after not being replastered for several years
- staircase
- symbolizes passage from ordinary ground into elevated sacred space
- hypostyle hall
- interior with many pillars
- seen also in Egyptian sacred boat room
- much larger than other Western Sudanese masjids
- torons
- functionally decorative wood posts on exterior
- minarets
- large adobe towers on Eastern facade
- used to call the adhaan, the call to prayer
- brings together community in annual activity
- contain ostrich eggs at pinacle
- symbolize purity and fertility
Cultural Crepissage
- annual cultural activity of replastering walls
- adobe material is temporal and requires upkeep
- community is brought together in activity
- torons are used for scaling the wall for replastering
- men undertake the plastering
- mud plaster
- created from kneading fine clay from river soils
- prepared by women
- music and festivity
- musicians play songs for entertaining laborers
- maintaining culture against foreign forces to change